Gondellied, Mendelssohn Op 19, no 6

There are a few versions of this knocking around YouTube and one of them I will link below to take the blankness off the home page.

I don’t know where I came across this piece of music first; only that I liked it enough to say “I want to play that”. There is a very nice Gondola song around from Charles Gounod that is on my list also and I’ll come to that some other time.

This has turned up on the Grade 6 list for the ABRSM local examinations for the current period. It’s the primary reason I didn’t skip Grade 6 – I was learning this anyway. What is fascinating is how different the various versions of it this are. The Grade 6 prep videos (there are quite a few) are not very pleasant to listen to in the grand scheme of things – there is not a lot of softness to the playing. There’s an interesting tutorial that focuses on the rhythm. It’s one of the interesting things – I haven’t really struggled with the rhythm for this at all – but in general, if you listen to a version like Jan Lisiecki’s version, it is very soft and in the general direction of a lullabye. There’s a glorious softness of most of the track. But I tend to prefer the voicing on other recordings, like this one.

For the opening bars in particular, there is something that makes me so glad to be able to play the piano when the sound I want comes out of the piano. Something like this. There is a glorious voicing on this and the way that bars 3, 4, 5 and 6 progress just sets my heart on fire. You’ll here how I am currently get on with it on that last link. I’ve learned that instagram does not have a block so I’m going to move my piano stuff to YouTube at some stage. Must look into.

You can find the sheet music here (it’s No 6 inside the link). For the record I bought the Henle Urtext because that’s how I roll (can’t get enough of those lovely blue covers).

One of the lovely things about working on Grade 6 pieces is that they feel more or less like adult pieces, even the Bach two part invention which I have not yet conquered too much of. There’s a lot to be said for giving people the opportunity to play music they like (and not the worthy crap that people think they should play like Bartók, I’m not bitter at all).